Acting I comprises the first nine months of the Meisner technique. The goal of the first year is to develop a truthful acting instrument, where all fundamentals of the art form become second nature. This is the start of the work that puts a serious actor on the road to being an exceptional artist.

Acting 1: The Truthful Instrument

Acting I comprises the nine months of the Sanford Meisner first year technique. The goal of the first year of the Meisner training is to develop a truthful acting instrument, where all fundamentals of the art form are second nature to the actor. Beginning with a simple repetition exercise, Meisner’s brilliant technique, when taught properly, evolves over nine months into a very deep, rich, and sophisticated, improvisational exercise. Untrained actors are bad and not respected professionally for a number of reasons: their attention is on themselves, they wait for their cues, cannot respond spontaneously from moment to moment, think squeezing out emotion is a good thing, are riddled with physical and vocal tension, indicate behavior, don’t listen, and can’t craft. Meisner’s first year solves these problems along with many others.

Picasso said “All children are artists. The problem is how to remain an artist once you grow up.” All of us have been parented, socialized, and educated. This is necessary to lead a healthy and productive life in society, but it is not helpful for the artist. First year chips away at the defenses and insecurities that have taken decades to develop. Whether it’s a fear of anger, feeling unworthy of joy, an aversion to conflict, a need to function as peacemaker, or the notion that you are not entitled to your feelings, these issues all contribute to hindering artistic development. Our students will not only confront these issues, but solve them in a safe and nurturing environment. The actor will learn how to listen and respond personally, how to get the placement of concentration off of themselves, will discover how to return to their impulsive child-like spontaneity, learn how to craft in a simple, specific and personal way, harness their ability to daydream and fantasize in order to emotionally prepare offstage, while also finding the courage and ease to function from all sides of their temperament. This is the work that puts a serious actor on the road to being an exceptional artist.

Meisner understood however, that his exercise work would be of no value if the actor could not apply what they have learned to scenes. Text is, ultimately, the actor’s playground. As Meisner taught and intended, we will also, at three different points during first year, take where we are in the exercise and apply that work organically to scenes. Students will do three rounds of scenes in first year, with each round challenging the actor to apply these important fundamentals to text. Compelling actors know how to improvise freely with a script, and understand the freedom and vivid behavior that can be created through spontaneous improvisation. Bad actors do line readings and can offer nothing more than conventional, cookie-cutter interpretations from their own pedestrian behavior.

Learning How to Craft

Another primary goal of the Meisner Technique is to teach you how to craft. Over the nine months of Acting 1, a student will learn how to craft a previous circumstance, acting relationships, and shared circumstances in a simple, specific, and personal way. Our acting studio is grounded in mastering these fundamental crafting questions. There are many acting classes for actors that overlook the importance of crafting. You can either craft specifically and create vivid behavior, or craft generally and have nothing. The job of the actor is to create behavior, and a solid fundamental process is the floorboard for it all.

Meisner’s first year technique, and the work at our studio, will train the actor to break from these bad habits, producing a truthful, clear and fundamentally sound actor capable of creating vivid experiential behavior, consistently.

Acting 1: The Foundation for Creating a Process

Acting can seem mysterious and sometimes intimidating when you begin to look seriously into professional training. The options for acting classes in NYC can feel overwhelming. The Maggie Flanigan Studio was created to provide a home for you, a place to form friendships and create community with like minded, passionate people. Acting 1 is the foundation, the first step toward creating a process, a way of working to create organic behavior. It’s a wonderful, exciting, and challenging journey of not just gaining insight into acting as an artform, but also a profound exploration of who you are, and how you relate to the world. Apply now to find out more about what is possible.


Charlie’s unique relationship with Maggie Flanigan began over twenty-five years ago. He received his MFA in acting from Rutgers University, Mason Gross School Of The Arts where Maggie and Bill Esper trained him in the Meisner Technique. Over the past 30 years Charlie has also studied and collaborated with many artists including Ben Kingsley, Fiona Shaw, Mark Wing-Davey, and Ellen Stewart.


“This school has completely changed me, as an actor and as a person. Charlie will make you dig down deep inside yourself and find things you didn’t know were there. I wouldn’t give this experience back for anything.”

Marco Bettencourt Urbina

Marco Bettencourt Urbina

“Charlie and Maggie are in my opinion, two of the top Meisner teachers in the country. I’m proud to be an alum of MFS and I consider the studio home.”

Marco Bettencourt Urbina

John Bermudez

“Rarely does a day go by that I do not take note of how far my classmates and I have come in our short time at the studio. This program has transformed me as an actor and overall person.”

Marco Bettencourt Urbina

Charlie Westfal